Beginners
Even his name is, you know. Cool. At just 25 years old, French watchmaker Remy Cools is one of the most exciting up-and-coming independent watchmakers right now. Cools first came onto the radar of many when he won the F. P. Journe Young Talent Competition in 2018 with his Mechanica Tempus Pendulette Tourbillon desk clock. Four years later, he's just finished delivery of his first series of wristwatches, the actual Tourbillon Souscription. Even before he pulled their chair up to the watchmaker's bench, Cools pretty much always knew he would enter the field. "I've wanted to be a watchmaker since I was 11 years old, " Cools says. "One day, my uncle took me to an open house of a Swiss manufacturer in the Vallée de Joux, and when the particular visit was finished I went home and said to my parents, 'I want to be a watchmaker. '" Only eleven years old, his or her parents thought he'd change his mind. But this individual never did. By the time he was 15, Cools applied to the prestigious watchmaking school in Morteau, France, simply across the border from the heart of Switzerland's watchmaking industry, La Chaux-de-Fonds. Soon, Remy Cools graduated from the Lycée Edgar Faure in Morteau, where he or she rubbed shoulders with a number of other up-and-coming indies - young watchmakers like Cyril Brivet-Naudot and Théo Auffret (the latter of whom also won a prize from the F. P. Journe Young Talent Competition in 2018), both watchmakers we've featured here before. Relax, Brivet-Naudot, as well as Auffret were all pupils of Florent Lecomte, who has also begun to make a title for himself by producing watches under his own mark. Let me tell you when I fell in love with Cools as a watchmaker. It was right if he started telling me about the process for making that tourbillon desk clock that received him the attention of Farrenheit. P. Journe. Even his name is, you know. Cool. At just 25 years old, French watchmaker Remy Cools is one of the most exciting up-and-coming independent watchmakers right now. Cools first came onto the radar of many when he won the F. P. Journe Young Talent Competition in 2018 with his Mechanica Tempus Pendulette Tourbillon desk clock. Four years later, he's just finished delivery of his first series of wristwatches, the actual Tourbillon Souscription. Even before he pulled their chair up to the watchmaker's bench, Cools pretty much always knew he would enter the field. "I've wanted to be a watchmaker since I was 11 years old, " Cools says. "One day, my uncle took me to an open house of a Swiss manufacturer in the Vallée de Joux, and when the particular visit was finished I went home and said to my parents, 'I want to be a watchmaker. '" Only eleven years old, his or her parents thought he'd change his mind. But this individual never did. By the time he was 15, Cools applied to the prestigious watchmaking school in Morteau, France, simply across the border from the heart of Switzerland's watchmaking industry, La Chaux-de-Fonds. Soon, Remy Cools graduated from the Lycée Edgar Faure in Morteau, where he or she rubbed shoulders with a number of other up-and-coming indies - young watchmakers like Cyril Brivet-Naudot and Théo Auffret (the latter of whom also won a prize from the F. P. Journe Young Talent Competition in 2018), both watchmakers we've featured here before. Relax, Brivet-Naudot, as well as Auffret were all pupils of Florent Lecomte, who has also begun to make a title for himself by producing watches under his own mark. Let me tell you when I fell in love with Cools as a watchmaker. It was right if he started telling me about the process for making that tourbillon desk clock that received him the attention of Farrenheit. P. Journe. See, it began like a school project; students had been supposed to start with an old alarm clock movement as the base for their clock. But Cools had a different idea. Even his name is, you know. Cool. At just 25 years old, French watchmaker Remy Cools is one of the most exciting up-and-coming independent watchmakers right now. Cools first came onto the radar of many when he won the F. P. Journe Young Talent Competition in 2018 with his Mechanica Tempus Pendulette Tourbillon desk clock. Four years later, he's just finished delivery of his first series of wristwatches, the actual Tourbillon Souscription. Even before he pulled their chair up to the watchmaker's bench, Cools pretty much always knew he would enter the field. "I've wanted to be a watchmaker since I was 11 years old, " Cools says. "One day, my uncle took me to an open house of a Swiss manufacturer in the Vallée de Joux, and when the particular visit was finished I went home and said to my parents, 'I want to be a watchmaker. '" Only eleven years old, his or her parents thought he'd change his mind. But this individual never did. By the time he was 15, Cools applied to the prestigious watchmaking school in Morteau, France, simply across the border from the heart of Switzerland's watchmaking industry, La Chaux-de-Fonds. Soon, Remy Cools graduated from the Lycée Edgar Faure in Morteau, where he or she rubbed shoulders with a number of other up-and-coming indies - young watchmakers like Cyril Brivet-Naudot and Théo Auffret (the latter of whom also won a prize from the F. P. Journe Young Talent Competition in 2018), both watchmakers we've featured here before. Relax, Brivet-Naudot, as well as Auffret were all pupils of Florent Lecomte, who has also begun to make a title for himself by producing watches under his own mark. Let me tell you when I fell in love with Cools as a watchmaker. It was right if he started telling me about the process for making that tourbillon desk clock that received him the attention of Farrenheit. P. Journe. See, it began like a school project; students had been supposed to start with an old alarm clock movement as the base for their clock. But Cools had a different idea. iwc portofino moonphase replica replica montblanc watches men rolex air king watch replica bell and ross watch replica replica rolex watches bell and ross br05 replica "I didn't want to use the normal alarm clock movement because it had been too bad of quality for me, " Calme says. "So I chose to produce the clock in an entirely handmade way. Actually my teacher said, 'So you want to produce all of the components handmade? ' My instructor didn't understand why I wanted to do it that way. However that's what I wanted, so that's things i did. My teacher wasn't happy about that. " He relayed the story in a smiling, matter-of-fact manner, as if this were confusing to him how anyone could even conceive of doing things any other way. "I didn't want to use the normal alarm clock movement because it had been too bad of quality for me, " Calme says. "So I chose to produce the clock in an entirely handmade way. Actually my teacher said, 'So you want to produce all of the components handmade? ' My instructor didn't understand why I wanted to do it that way. However that's what I wanted, so that's things i did. My teacher wasn't happy about that. " He relayed the story in a smiling, matter-of-fact manner, as if this were confusing to him how anyone could even conceive of doing things any other way. See, it began like a school project; students had been supposed to start with an old alarm clock movement as the base for their clock. But Cools had a different idea. "I didn't want to use the normal alarm clock movement because it had been too bad of quality for me, " Calme says. "So I chose to produce the clock in an entirely handmade way. Actually my teacher said, 'So you want to produce all of the components handmade? ' My instructor didn't understand why I wanted to do it that way. However that's what I wanted, so that's things i did. My teacher wasn't happy about that. " He relayed the story in a smiling, matter-of-fact manner, as if this were confusing to him how anyone could even conceive of doing things any other way.
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